Julie Singer

Julie Singer

Chair, Department of Romance Languages and Literatures
Professor of French
PhD, Duke University
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    • In-person office hours: Monday and Tuesday from 12:00 to 1:00 PM in Ridgley 310, and by appointment
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    • Washington University
    • MSC 1077-146-310
    • One Brookings Drive
    • St. Louis, MO 63130-4899
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    Professor Singer’s research focuses on medieval French and Italian literature and culture; particular interests include literature and medicine, the cultural history of science and technology, disability studies, gender studies, and theories of language, sound, and voice. 

    Professor Singer is the author of Blindness and Therapy in Late Medieval French and Italian Poetry (2011) and Representing Mental Illness in Late Medieval France: Machines, Madness, Metaphor (2018), both published in Boydell and Brewer’s Gallica series. Her current book project explores the uses of fetal and infant speech as an epistemic tool in medieval French literature, law, and philosophy of language: read more about it here, https://humanities.wustl.edu/features/julie-singer-baby-talk-medieval-french-literature. She is also writing a student-oriented Introduction to Disability in Medieval European Literature, under contract with the University Press of Florida. Professor Singer will be the next editor of Digital Philology: A Journal of Medieval Cultures (Johns Hopkins University Press) and looks forward to working with graduate student Editorial Assistants. 

     

    Professor Singer teaches language and literature courses on a broad range of topics. Her undergraduate and graduate seminars have included courses about the cultural memory of Joan of Arc and of Notre-Dame cathedral; intersectional identities in medieval literature; and body and disability in medieval texts. She teaches a number of undergraduate courses cross-listed with the program in Medical Humanities, including “Medical Narratives, Narrative Medicine,” “Contagions,” and “Transplants,” all of which enable an exploration of conceptual and concrete connections between medicine, literature, language, and culture. Professor Singer is also a co-convener of the Disability and Embodied Difference Reading Group, an interdisciplinary community of faculty and students sponsored by the Center for the Humanities. 

    Professor Singer is enthusiastically committed to inclusive education, mentoring, and lifelong learning. She has recently completed pedagogical seminars on topics ranging from “Medieval Africa and Africans” to “Teaching with AI,” and is a member of Wash U’s 2023-24 CEILE (Creating Equitable, Inclusive Learning Environments) learning community. A trained “Entering Mentoring” facilitator, Professor Singer is passionate about working with students and faculty to improve communication and support.  

    Representing Mental Illness in Late Medieval France:Machines, Madness, Metaphor

    Representing Mental Illness in Late Medieval France:Machines, Madness, Metaphor

    An exploration of the medieval mind as a machine, and how it might be affected and immobilised, in textual reactions to the madness of Charles VI of France. This book explores the innovative mix of organic and inorganic metaphors through which they explored the relationship between mind, body, and government at this period.

    Blindness and Therapy in Late Medieval French and Italian Poetry

    Blindness and Therapy in Late Medieval French and Italian Poetry

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body.