Ignacio Sánchez Prado

​Professor of Spanish, Latin American Studies, and Film and Media Studies
Director of Undergraduate Studies in Spanish and the Latin American Studies program
Dean’s Fellow for Intercultural Competence Initiatives
Jarvis Thurston and Mona Van Duyn Professor in the Humanities
PhD, University of Pittsburgh
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    Professor Sánchez Prado's areas of research include Latin American intellectual history, neoliberal culture, world literature theory, and Mexican literary, film, and cultural studies.

    Prof. Sánchez Prado’s areas of research include Mexican literary, film and cultural studies; Latin American intellectual history, neoliberal culture, food cultural studies and “world literature” theory.

    He is the author of El canon y sus formas: La reinvención de Harold Bloom y sus lecturas hispanoamericanas (2002), Poesía para nada (2005), Naciones intelectuales. Las fundaciones de la modernidad literaria mexicana (1917-1959) (2009. Winner of the LASA Mexico 2010 Book Award), Intermitencias americanistas. Estudios y ensayos escogidos (2004-2010) (2012), Screening Neoliberalism. Mexican Cinema 1988-2012 (2014), Strategic Occidentalism. On Mexican Fiction, The Neoliberal Book Market and the Question of World Literature (2018), and Intermitencias alfonsinas. Estudios y otros textos (2019). He is currently working on book-length studies on cosmopolitanism and genre in mid-century, and on the question of transnationalism in Mexican cinema.

    Prof. Sánchez Prado has edited several book collections: Alfonso Reyes y los estudios latinoamericanos (with Adela Pineda Franco, 2004), América Latina en la “literatura mundial” (2006), América Latina, Giro óptico (2006), El arte de la ironía. Carlos Monsiváis ante la crítica (with Mabel Moraña, 2007), Arqueologías del centauro. Ensayos sobre Alfonso Reyes (2009), Entre Hombres. Masculinidades del siglo XIX latinoamericano (with Ana Peluffo, 2010); El lenguaje de las emociones. Afectoy cultura en América Latina (with Mabel Moraña, 2012),  La literatura en los siglos XIX y XX (with Antonio Saborit and Jorge Ortega, 2013), Heridas abiertas. Biopolítica y cultura en América Latina (with Mabel Moraña, 2014), Democracia, otredad, melancolía. Roger Bartra ante la crítica (with Mabel Moraña 2015) and A History of Mexican Literature (with Anna Nogar and José Ramón Ruisánchez Serra), Mexican Literature in Theory (2018) and Pierre Bourdieu in Hispanic Literature and Culture (2018). Prof. Sánchez Prado is co-editor, with Leslie Marsh, of the SUNY Press Series on Latin American Cinema and editor of the series Critical Mexican Studies in Vanderbilt University Press.

    Prof. Sánchez Prado has published over 120 scholarly articles in academic books and journals. His most recent essays include a study on the theories of the transcultural and global novel in Latin America, published by New Literary History and an article on Rick Bayless and Diana Kennedy published in Bulletin of Spanish Studies. Beyond the academy, he has been a contributor to media outlets in Mexico and the United States, including the Washington Post, Al Jazeera, the BBC, the Mexican national newspaper El Universal, Public Books, Words Without Borders and the Los Angeles Review of Books, among others.

    His teaching in Romance Languages and Literatures is focused on 20th- and 21st-century Mexican literature, film and culture, as well as Latin American critical thought and literary theory. In addition, for the Latin American Studies Program, he teaches the introductory class (Latin America: Nation, Ethnicity and Social Conflict), and classes on Mexico, media theory, film and revolution and other issues in cultural studies. At the University College, he teaches undergraduate classes on Latin American Cultural Studies and classes on neoliberalism, cultural policy and global cinema, for the Master-level programs in International Affairs and Liberal Arts. Currently, he serves as the Director of Undergraduate Studies for the Latin American Studies Program. Prof. Sánchez Prado received the Distinguished Teaching Award from the School of Arts and Sciences in 2015.

    Prof. Sánchez Prado has served as President of the Division of Latin American Literatures and Cultures and the Discussion Group of Mexican Cultural Studies at the Modern Language Association, as well as co-chair of the Mexico Section at the Latin American Studies Association. He currently serves in the steering committee of UC Mexicanistas and in the Executive Council of the MLA. He is a member of the editorial board of various journals, including PMLA, Modernism/Modernity, Forma, Chasqui, Revista de Crítica Literaria Latinoamericana, ASAP/Journal, and Confluencia. He is the President of the Association for the Study of the Arts of the Present.

    Professor Sánchez Prado has been appointed the Chair of the Cultures of the South by the Kluge Center at the Library of Congress and will serve his term in the Summer of 2021.

     

    Mexican Literature in Theory

    Mexican Literature in Theory

    Mexican Literature in Theory is the first book in any language to engage post-independence Mexican literature from the perspective of current debates in literary and cultural theory. It brings together scholars whose work is defined both by their innovations in the study of Mexican literature and by the theoretical sophistication of their scholarship.

    Mexican Literature in Theory provides the reader with two contributions. First, it is one of the most complete accounts of Mexican literature available, covering both canonical texts as well as the most important works in contemporary production. Second, each one of the essays is in itself an important contribution to the elucidation of specific texts. Scholars and students in fields such as Latin American studies, comparative literature and literary theory will find in this book compelling readings of literature from a theoretical perspective, methodological suggestions as to how to use current theory in the study of literature, and important debates and revisions of major theoretical works through the lens of Mexican literary works.

    Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature

    Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature

    Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture.

    Intermitencias americanistas. Estudios y ensayos escogidos (2004-2010)

    Intermitencias americanistas. Estudios y ensayos escogidos (2004-2010)

    El estudio del americanismo es una tarea crítica siempre pendiente, en cuyo desarrollo descansa una comprensión plena de genealogías intelectuales de México y América Latina. Este libro recoge una serie de ensayos académicos y literarios de Ignacio M. sánchez Prado sobre el tema, publicados entre 2004 y 2010, muchos de los cuales se hacen accesibles en México por primera vez en este libro.

    Naciones intelectuales: Las fundaciones de la modernidad literaria mexicana (1917-1959)

    Naciones intelectuales: Las fundaciones de la modernidad literaria mexicana (1917-1959)

    Naciones Intelectuales explores the processes and works that laid the foundations of a new literary modernity in the wake of the Mexican Revolution. It focuses on the period from the signing of the Constitution in 1917, to the death of Alfonso Reyes in 1959, and analyzes the four elements of Mexican cultural practices: the notion of literature, the figure of the intellectual, the creation of academic institutions, and the definition of national identity that emerged through the various debates held by leading figures of the period. The book analyzes different key moments, controversies, and cultural interventions, which ultimately led the diverse aesthetic spectrum created by the revolution into becoming a highly institutional system of literature.